![]() ![]() So we have a weird reverse psychology way of bringing the best performance out of each other. I know how Mia works inside-out and she knows how I work inside and out. ![]() And the freedom that comes with working with somebody like that is just unbelievable because there's such a shorthand, an emotional shorthand. And she pulled out a picture of Mia and said, “I feel like this girl could be your best friend,” and Mia and I had been best friends for four years at that point.ĪTJ: We've grown up together she's my sister. That is the hardest sorry.ĪTJ: It was so fascinating because on this same perfect first date with Autumn she had this incredible box that was really ornate and elaborate and had pictures of everybody she wanted to be in the movie. That is the fantasy of a real apology is someone is saying you know what? It's over. There's crying because I am embarrassed and then there’s crying because I'm ashamed that's not sorry yet and then there's like, I f**ked everything up and I am so sorry and I don't even deserve to even apologize to you. I was thinking about when two girls argue and someone says they're sorry and the way they cry is how you know they're not sorry enough. ![]() You know how much girls cry.” We called the last part of the movie “the doom section” and I thought the crying was a really great storytelling tool for Emma's redemption because she cries for the wrong reasons. With Miss Bates, and especially watching the film, there's Emma pre-Miss Bates and then there's just Emma crying different tears for five hours.ĪDW: Which is a testament to Anya’s acting because at one point Anya was like, “Is it too much crying?” I was like, “No, you're 21. That being said, she really does have a good heart. None of these things are adding up to make a particularly happy person. That scene with Miss Bates (Miranda Hart) is particularly cutting the way you play it.ĪTJ: She’s smart! She’s really clever, and she's very bored, and she's very lonely. That tends to get lost in this story of a woman who is beautiful, rich, and clever. like, I want it to be bitchy when it's going to be bitchy.” One of the first conversations that Autumn and I had was I said, “Can I play her unlikable? Like for real unlikable? Or do I have to try and make her softer, make her prettier?” And Autumn said “No. We've had so many ups and downs with this tumultuous, beautiful creature, but we had such a good time with it. I always say that Emma is our love child. It really was this Emma cyclone that hit and we both got possessed by it. And then we were making the film and now we're promoting it. Then he was like, “we want to offer you Emma and we want you to meet with the director tomorrow” and I fell in love with this one. Just wait and I'll give you a call in an hour” and I was like, okay, vague. I got a phone call from one of our lovely producers, who I did not know very well at the time, and he was like “don't accept any work. Now it’s made the sisters “want to make things even more special,” and part of that is taking time to reflect, and perfect their techniques.What about you, Anya? What drew you to want to play this heroine?Īnya Taylor-Joy: Autumn! I honestly don't remember saying yes to this movie, it just happened. It was a good experience to come all the way from Los Angeles to show in Paris during haute couture week, said Kate. Such are the happy reverberations from the sisters’ last happening, a show in the cloister gardens of an ancient hospital in Paris in July 2017, that the anticipation of a follow-up can last a year their next will be coming this summer. There wasn’t a show at all this season, though it mattered not a jot. The Mulleavy sisters were in Paris last week to show these pretty clothes to buyers and press, though on racks and dummies, not the women in Autumn de Wilde’s evocative photo album. The painted bucolic backdrop, like something found on the back lot of movie company in the early Technicolor years, frames the let’s-pretend fantasia of Hollywood romance. There’s Kirsten Dunst, pregnant, in “the last pictures before she has her baby!” Grimes channels Edwardiana, Chloe and Halle twirl parasols laden with cherry blossoms and lichen, and Kim Gordon smolders in leopard-spot (among a cast that includes Gia Coppola, Danai Gurira, Rowan Blanchard, and more). And here they are: a whole circle of Rodarte women of all ages, looking as if they’re really into playing dress-up with the tulle and the ruffles. We’ve had relationships with some of them for so long, we wanted it to be more, like, character studies,” said Kate Mulleavy. Looking at Rodarte’s photographic record of their Fall 2018 collection is enough to cause a collective sigh of delight. ![]()
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